A
PROFILE
UPM's Staff Profile
DR. MANIMANGAI A/P MANI
FACULTY OF MODERN LANGUAGES AND COMMUNICATION
manimangai@upm.edu.my
UPM WEBSITE
PROFILE
manimangai
BM
EN

PROFESSIONAL

NAME :
(Dr.) Manimangai A/p Mani
POSITION :
Pensyarah Kanan
ENTITY :
Faculty Of Modern Languages And Communication

PUBLICATION
2024:
Exploring Agency and Justice in Devadasis Through the Lens of Dharma in The Undoing Dance and Desire of the Moth
2024:
An Investigation into the Traumatic Experiences among Black Female Characters in Homegoing f rom a Postcolonial Perspective
2024:
Escape from harem: A women-empowered novel of the Mughal harem
2023:
Navigating the Real World: A Grounded Theory-Based Exploration of Autistic Adolescents’ Identity Formation in Marcelo in the Real World
2022:
Belonging to Nowhere: A Psychological Study of Alienation and Estrangement in Ramabai Espinet's “The Swinging Bridge” (2003)
2022:
Where do I belong: Alienation as a psychological struggle of the characters in Lahiri's The Namesake (2003)
2021:
The Process of Becoming Black in Noviolet Bulawayo's We Need New Names
2020:
Rooted Cosmopolitan Identity and Internalized Homophobia in Farzana Doctor's Stealing Nazreen
2019:
Women Marginalization and Political Corruption in Margaret Atwood's The Handmaid's Tale
2019:
The Causes of Caribbean and African Diasporic Movements in Lakshmi Persaud’s Sastra and Caryl Phillips’s The Nature of Blood
2019:
The Multiplicity of Identity in Bharatee Mukherjee
2018:
STAYING ROOTED, BEING COSMOPOLITAN IN SHYAM SELVADURAI'S THE HUNGRY GHOST
2018:
THE DILEMMA OF THE INDIAN CHARACTERS IN K.S. MANIAM'S IN A FAR COUNTRY
2018:
DEPERSONALIZATION AND ESCAPING TO NATURE: A COMFORT WOMAN'S JOURNEY IN THERESE PARK'S A GIFT OF THE EMPEROR
2018:
DIALOGIC FOCALIZATION IN ASHWIN SANGHI'S THE KRISHNA KEY
2018:
HUMAN FRAILTY AND RELATIONSHIPS IN ABRAHAM'S PROMISE BY PHILIP JEYARETNAM
2018:
Reflection of Oppression through Imaginary Homeland in Lakshmi Persaud’s Raise the Lanterns High
2018:
The Parallels of Mobility and Exile in Chitra Banerjee Divakaruni’s Before We Meet the Goddess: A Cosmopolitan Reading
2018:
ZAYNAB ALKALI: A NEW FACE AND NEGOTIATING MATRIARCH IN THE STILLBORN AND THE VIRTUOUS WOMAN
2018:
POSTCOLONIAL MULTICULTURALISM IN K.S. MANIAM'S IN A FAR COUNTRY
2018:
CRISIS AND SUSPENSE IN ASHWIN SANGHI'S CHANAKYA'S CHANT
2018:
MAGICAL REALISM IN PASCAL KHOO THWE'S FROM THE LAND OF GREEN GHOSTS: A BURMESE ODYSSEY
2018:
GEORGE ELLIOTT CLARKE'S GEORGE AND RUE: A MULTICULTURAL VIEW
2017:
Recent Trends in Indian Literature:Revisiting the Past
2016:
The Different Perspectives of Sense of Belongingness in K.S.Maniam's The Return and Gurcharan Das's, A Fine Family
2016:
The Different Perspectives of Sense of Belonging in K.S.Maniam's The Return and Gurcharan Das's A Fine Family
2016:
Re(de)construction of Identity through Social Constructionism in Selected Novels by Podder, Beti, and James
2016:
Transculturalism in Tan Twan Eng?s The Gift of Rain
2016:
Hinduism's Four Stages of Life in Saul Bellow's Henderson the Rain King
2016:
The Struggles of Ceylonese Women in Rani Manicka?s, The Rice Mother and The Japanese Lover
2015:
Cultural Identity in Eugenia Kim's The Calligrapher's Daughter
2014:
The Submission, cultural trauma of America and its Muslim community after 9/11
2014:
Distortion of Marxism in Duong Thu Huong's Novel Without a Name and Kim Echlin's The Disappeared
2014:
From a Post-traumatic Culture toward the Cultural Trauma of Post -9/11
2014:
The Portrayal of Working Class People in African Novels: A Study of Festus Iyayi's Violence
2013:
Duong Thu Huong's Novel Without a Name: A Silent Cry from Vietnam
2013:
Caryl Phillips's Novels: A Reminder of a Forgotten Issue
2013:
Fiction and Philosophy in Novel Without a Name and The Disappeared