PROFILE
UPM's Staff Profile
PROF. MADYA DR. ARBAAYAH BINTI ALI TERMIZI
HEAD OF DEPARTMENT
FACULTY OF MODERN LANGUAGES AND COMMUNICATION
arbaayah@upm.edu.my
PROFESSIONAL
NAME :
(Prof. Madya Dr.) ARBAAYAH BINTI ALI TERMIZI
MANAGERIAL POSITION :
HEAD OF DEPARTMENT
ENTITY :
PERMANENT POST :
ASSOCIATE PROFESSOR
ENTITY :
FACULTY OF MODERN LANGUAGES AND COMMUNICATION
FIELD OF SUPERVISION
ENGLISH LITERATURE / LITERARY AND CULTURAL STUDIES
PUBLICATION
2025
Rethinking Self-Discovery Through Ethical Choice in Han Suyin’s The Mountain is Young
2024
Mixed-Race Flâneuse: Identity Quest Through Flânerie in Han Suyin’s The Mountain Is Young
2024
Differentiation of Self of Lear and His Daughters in Shakespeare’s King Lear
2024
Xenophobia as the major plight of African immigrants in South Africa: The example of Epiphanie Mukasano's selected poems
2022
Social Stratification As A Catalyst For Xenophobia In Kenneth Maswabi's Poems
2021
Joel’s Self-Redemption in the Unnatural Narrative Structure of Charlie Kaufman’s Eternal Sunshine of the Spotless Mind (2004)
2021
Alienation Effect in Kee Thuan Chye’s Wayang Kulit Adaptations in 1984 Here and Now and The Big Purge
2020
Negotiating Existential Concerns of Death and Meaninglessness through the Grotesque in Oscar Wilde’s The Canterville Ghost
2020
Eco-Critical Reading of Selected Works by Post-Independence Malaysian Writers
2020
The Visible Flâneuse in Chan Ling Yap’s Where the Sunrise is Red
2020
Order in Disorder: Exploring Chaos Theory in the Narrative Structure of Chuck Palahniuk’s Fight Club
2019
The Grotesque in Kevin Kwan’s Crazy Rich Asians
2018
From Natural Selection to the Sentient Symphony of Life: A Chaotic Reading of Wertenbaker’s After Darwin
2018
Maggot Therapy and Monstrosity: The Grotesque in Margaret Atwood’s The Year of the Flood
2018
De-‘Moor’ Tifying Shakespeare’s Othello: Iago as a Renaissance Form of Islamophobia
2018
Politics of Staging Capitalist Society in Transcultural Adaptations of Brecht’s the Threepenny Opera by Ajoka Theatre in Pakistan
2017
The Butterfly Effect Hits Complicité: A Chaotic Reading of Mnemonic and A Disappearing Number
2017
The grotesque body in Ian McEwan’s short stories
2017
Analysing Resistance of Stereotyped Sexuality via ‘Gender Performance’ in The Silk Fan and Under the Blanket
2017
Literary Representations of Capitalist Dictatorship in Transcultural Adaptations of Brecht’s The Resistible Rise of Arturo Ui by Ajoka Theatre in Pakistan
2017
Death and Dying as a Literary Device: A Reading of Selected Works by Contemporary Malaysian Writers
2016
The Place of Memory in John Burnside?s The Locust Room
2016
Seeking Peace of Mind: Paranoia and its Therapy Through Nature in John Burnside?s A Summer of Drowning
2015
"Un-Romanticized" Love in Anthony and Cleopatra and The Taming of the Shrew
2015
Children Exploitation in John Burnside's The Dumb House
2015
Transcending Binariesin Hanif Kureishi?s Goodbye, Mother?s Dichotomous Settings
2015
Postmodern Narrative in Kurt Vonnegut?s Slaughterhouse-Five
2015
Pre-colonial Residuals in "Recitatif" and "Everyday Use"
2014
The Paradox of the Narrative Event in John Barth's "Lost in the Funhouse"
2014
Grotesque Festivity in Anthony and Cleopatra and The Taming of the Shrew
2013
Grotesque Representations of Deviant Sexuality in Ian McEwan's Selected Short Stories
2012
The cultural Landscape in Sarawakian Literature in English
2012
One good man in a corrupt ancient society : The steward in Shakespeare's Timon of Athens
2012
Comparative Literature Throughout Time: A Sketch of History and Basic Tenets
2012
Roycean Loyalty in William Shakespeare's Timon of Athens
2011
The Absurd Rebel on an Imaginary Rock
2011
How Real is Real: Attitudes towards Realism in Post-War British Fiction
2011
A Figure of Truth, Faith and Loyalty: Helicanus in Shakespeare's Pericles